REDICTING the future of technology is a
fool's game. Still, every now and then, you recognize that a product
is so obviously superior to what came before it, the writing is on
the wall in block letters big enough for Mr. Magoo to read. The
graphic elegance of the first Macintosh spelled the demise of DOS,
the crisp sound and compact size of the CD unmistakably suggested
the vinyl record's decline, and the convenience of the digital
camera set off a tailspin in film sales that continues today.
Don't look now, but another machine you probably own is on its
way out: the VCR. Its disruptive successor is the cheap set-top DVD
recorder.
Now, the phrase "cheap set-top DVD recorder" may strike you as
two oxymorons in one. First of all, in this era of flat screens that
are only two inches thick, the last place you'd set a set-top box is
on the top of the set. (Nominations are welcome for a better term
that distinguishes these TV-room DVD recorders from the ones that
you attach to a computer.)
Second, there's that bit about "cheap." Everybody knows that
set-top DVD recorders are expensive. The best ones include a hard
drive for TiVo-like
flexibility but cost $600 and up. DVD-only models start at $400 or
so. Logic and pundits have long maintained that the VCRs funeral
rites won't begin in earnest until DVD-recorder prices fall below
$300 - and now they have, led by Gateway's AR-230 and a few rivals
from lesser-known companies.
The brilliance of these stripped-down machines is that they're so
easy to explain to people. "It's exactly like a VCR, except you use
blank DVD's instead of tapes." You hook the thing up to your TV the
same way, operate the remote control the same way and choose a
recording speed the same way.
Yet discs offer a list of advantages as long as your arm. DVD's
offer far better picture quality than VHS tape. They never require
rewinding or fast-forwarding. You can never record over something by
accident. DVD's are cheaper to mail, and a lot more of them fit into
the same shelf space. DVD's may well last a lot longer than tapes,
too, which begin deteriorating in as little as 15 years (the DVD
format is too new to know for sure).
Furthermore, a DVD recorder like Gateway's also plays DVD's - and
very well, too. It's a so-called progressive-scan player, which
means that if your set has Y, Pb and Pr jacks on the back, you get
an even more stable, brilliant picture.
For many people, though, storing movies and shows "taped" from
the TV is only a secondary perk of owning a DVD recorder. The
primary mission is more time-critical: rescuing VHS and camcorder
tapes before they turn to dust.
Here, the Gateway does a great job. It offers input jacks in
enough formats and locations to accommodate just about anything you
want to hook up. On the back panel are S-video, coaxial and
composite connectors (the standard red-white-yellow set of three
connectors); on the front is another set of composite jacks so you
can hook up your camcorder without crawling behind your TV table.
The front panel also offers, surprisingly, a FireWire input for
today's digital camcorders - something that's missing from most DVD
recorders under $600.
Better yet, the Gateway features extremely simple on-screen
menus. Even the remote control is thoughtfully designed, featuring
buttons of different sizes and shapes to help your thumb find its
way in the dark.
All of this looks good on paper, but remember that this machine
costs $300. The lightweight box has so few components inside, it
feels practically hollow. You're entitled to wonder, then, how well
it works, if indeed it works at all.
As long as you keep adding "compared with a VCR" to your critical
assessments, the Gateway performs very well indeed.
The machine offers four quality settings that fit one, two, four
or six hours onto a DVD. You can't see any difference whatsoever
between the one- and two-hour modes, even with repeated A-B tests
and a magnifying glass; both look indistinguishable from the
original TV or videotape. The four-hour mode is fine for sitcoms,
news and reality shows and still beats the quality of a VCR by a
country mile. Only the six-hour mode looks blurry and blocky.